Friday April 26, 2013 at 17:34 | Archived in: Digital Photography, Italy, Rome, Travel and Tourism, Travel Photography
A Sunday morning spent strolling around Villa Doria Pamphili.
The Villa Doria Pamphili is a seventeenth century villa with what is today the largest landscaped public park in Rome, Italy. It is located in the quarter of Monteverde, on the Gianicolo (or the Roman Janiculum), just outside the Porta San Pancrazio in the ancient walls of Rome where the ancient road of the Via Aurelia commences.
It began as a villa for the Pamphili  family and when the line died out in the eighteenth century, it passed to Prince Giovanni Andrea IV Doria from which time it has been known as the Villa Doria Pamphili.
Tuesday April 9, 2013 at 12:32 | Archived in: Art, Digital Illustrations, GaiaOnline Avatar Fan Art
I always just make avie art for friends in GaiaOnline .. drawing avie art is not really my forte, nor is drawing anime. I dwell on a different style and hence my works are a bit rough and messy.
some do give something as compensation for the said work.. but I never did took making avie art as a gold generating means.
Here are some of my recent avie fan art works for my friends and on my own avie in GaiaOnline
Wednesday March 6, 2013 at 09:37 | Archived in: Digital Photography, Italy, Rome, Travel and Tourism, Travel Photography
The Basilica of the Holy Cross in Jerusalem (Latin: Basilica Sanctae Crucis in Hierusalem, Italian: Basilica di Santa Croce in Gerusalemme) is a Roman Catholic parish church and minor basilica in Rome, Italy. It is one of the Seven Pilgrim Churches of Rome.
According to tradition, the basilica was consecrated around 325 to house the Passion Relics brought to Rome from the Holy Land by St. Helena of Constantinople, mother of the Roman Emperor Constantine I. At that time, the basilica floor was covered with soil from Jerusalem, thus acquiring the title in Hierusalem – it is not dedicated to the Holy Cross which is in Jerusalem, but the church itself is “in Jerusalem” in the sense that a “piece” of Jerusalem was moved to Rome for its foundation. The current Cardinal Priest of the Titulus S. Crucis in Hierusalem is Miloslav Vlk.
The church is built around a room in St. Helena’s imperial palace, Palazzo Sessoriano, which she adapted to a chapel around the year 320. Some decades later, the chapel was turned into a true basilica, called the Heleniana or Sessoriana. After falling into neglect, the church was restored by Pope Lucius II (1144-1145). In the occasion it assumed a Romanesque appearance, with a nave and two aisles, a belfry and a porch.
The church was also modified in the 16th century, but it assumed its current Baroque appearance under Benedict XIV (1740-1758), who had been the titular of the basilica prior to his elevation to the papacy. New streets were also opened to connect the church to two other major Roman basilicas, San Giovanni in Laterano and Santa Maria Maggiore. The façade of Santa Croce, designed by Pietro Passalacqua and Domenico Gregorini, shares the typical late Roman Baroque taste with these other basilicas.
In May 2011, the Cistercian abbey linked to the basilica was suppressed by a decree of the Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, following the results of an apostolic visitation prompted by years of serious problems, including significant liturgical disputes. According to a Vatican spokesman, “An inquiry found evidence of liturgical and financial irregularities as well as lifestyles that were probably not in keeping with that of a monk.” According to Il Messaggero, Simone Fioraso, an abbot described as a “flamboyant former Milan fashion designer”, “transformed the church, renovating its crumbling interior and opening a hotel, holding regular concerts, a televised bible-reading marathon and regularly attracting celebrity visitors with an unconventional approach.
Several well-known relics of disputed authenticity are housed in the Cappella delle Reliquie, built in 1930 by architect Florestano di Fausto. They include: a part of the Elogium or Titulus Crucis, i.e. the panel which was hung on Christ’s Cross (generally either ignored by scholars or considered to be a medieval forgery.); two thorns of the crown; an incomplete nail; and three small wooden pieces of the True Cross itself. A much larger piece of the cross was taken from Santa Croce in Gerusalemme to St. Peter’s Basilica on the instructions of Pope Urban VIII in 1629 – where it is kept near the colossal 1639 statue of St. Helena by Andrea Bolgi.
Other relics enshrined in the Chapel include:
A large fragment of the Good Thief’s cross;
The bone of an index finger, said to be the finger of St. Thomas that he placed in the wounds of the Risen Christ
A single reliquary containing small pieces of: the Scourging Pillar (to which Christ was tied as he was beaten); the Holy Sepulchre (Christ’s tomb); and the crib of Jesus
Some fragments of the grotto of Bethlehem.
The relics were once in the ancient St. Helena’s Chapel, which is partly under ground level. Here the founder of the church had some earth from Calvary dispersed, whence the name in Hierusalem of the basilica. In the vault is a mosaic designed by Melozzo da Forlì (before 1485), depicting Jesus Blessing, Histories of the Cross and various saints. The altar has a huge statue of St. Helena, which was obtained from an ancient statue of Juno discovered at Ostia.
The apse of church includes frescoes telling the Legends of the True Cross, attributed to Melozzo, to Antoniazzo Romano and Marco Palmezzano. The Museum of the Basilica houses a mosaic icon from the 14th century: according to the legend, Pope Gregory I had it made after a vision of Christ. Notable is also the tomb of Cardinal Francisco de los Ángeles Quiñones, by Jacopo Sansovino (1536).
Peter Paul Rubens, who had arrived in Rome by way of Mantua in 1601, was commissioned by Archduke Albert of Austria to paint an altarpiece with three panels for the chapel St. Helena. Two of these paintings, St. Helena with the True Cross and The Mocking of Christ, are now in Grasse, France. The third, The Elevation of the Cross, is lost. Before his marriage, the archduke had been made a cardinal in this church.
Wednesday at 09:18 | Archived in: Digital Photography, Italy, Rome, Travel and Tourism, Travel Photography
Chiesa di San Tommaso Moro
The Church of St. Thomas More is a church of Rome , in the Tiburtino district , in the Marrucini.
It was built by architect Giuseppe Gualandi in 1921 , and consecrated in 1926 , as a church to the convent of the Sisters of helpers , and initially dedicated to St. Mary Help of Purgatory. The sisters then sold all their complex to the diocese of Rome , and on 15 November 1974 , the church was a parish with the decree of the Cardinal Vicar Ugo Poletti Neminem latet, and named after Sir Thomas More , humanist author of the famous book Utopia , political and English martyr who refused to swear allegiance to King Henry VIII as head of the new Anglican church .
The church is in style Gothic nave and two aisles, divided by columns ending in capitals Corinthian , it was once a cruise and side chapels.